Leonardo F. Lisi works on European literature and philosophy of the long nineteenth century (ca. 1789-1918), with a particular focus on the evolution of literary forms and their relation to German idealist aesthetics. His first book, Marginal Modernity: The Aesthetics of Dependency from Kierkegaard to Joyce (Fordham UP, 2013) argues that the standard approach to modernist aesthetics in terms of a contradiction between autonomy and fragmentation rests on an understanding of truth and experience that cannot be treated as exhaustive of modernist forms. Instead, Lisi traces an alternative “aesthetics of dependency” that provides a different formal structure, philosophical foundation, and historical condition for modernist texts. Taking Europe’s Scandinavian periphery as his point of departure, Lisi examines how Søren Kierkegaard and Henrik Ibsen imagined an aesthetic response to the changing conditions of modernity different from those at the European core, one that subsequently influenced Henry James, Hugo von Hofmannsthal, Rainer Maria Rilke, and James Joyce.
Currently Lisi is completing a second book project entitled, Modern Tragedy: Form, Philosophy, History from George Lillo to Henrik Ibsen (under contract with Fordham UP). This study traces the nature and evolution of modern tragedy and its philosophical discourses through three distinct dramatic paradigms. In each, Lisi shows how dramatists in the eighteenth century (Lillo, Schiller, Goethe) develop new formal structures by way of their engagement with the birth of European modernity in the late sixteenth century. These forms are subsequently theorized in the mid nineteenth century (by Leopardi, Schopenhauer, Kierkegaard), yielding distinctly anti-idealist philosophies of tragedy that have so far been wholly neglected. Finally, Lisi shows how each of these different forms of modern tragedy find their culmination in the late works of Henrik Ibsen (The Master Builder, Hedda Gabler, John Gabriel Borkman).
Lisi is the recipient of a number of honors and awards, and is a past member of the executive councils of the Ibsen Society of America and of the MLA Scandinavian Discussion Group. He has served as executive editor of the comparative literature issue of MLN, as co-editor (with Niels Jørgen Cappelørn) of Karsten Harries’ 2010 book, Between Nihilism and Faith, and is a member of the International Editorial Advisory Board for the Routledge Encyclopedia of Modernism. Major projects for the future include a book-length study of Kierkegaard’s philosophy, a commentary on Either/Or, and a book on the romantic lyric (Hölderlin, Keats, Leopardi). At Hopkins Lisi has taught courses on literary criticism and comparative literature, Kierkegaard, Henry James, Capitalism and Tragedy from the 18th Century to Climate Change, European romantic poetry, the philosophy of tragedy from Schiller to Cavell, and Shakespeare and Ibsen.